Friday, August 12, 2011

Greece - Crete Knossos


Knossos Palace

Sent by Aris, a postcrosser from Greece.

This is from Wikipedia : Knossos (alternative spellings Knossus, Cnossus, Greek Κνωσός pronounced [knoˈsos]), also known as Labyrinth, or Knossos Palace, is the largest Bronze Age archaeological site on Crete and probably the ceremonial and political centre of the Minoan civilization and culture. The palace appears as a maze of workrooms, living spaces, and store rooms close to a central square. Detailed images of Cretan life in the late Bronze Age are provided by images on the walls of this palace. It is also a tourist destination today, as it is near the main city of Heraklion and has been substantially restored by archaeologist Arthur Evans.

The city of Knossos remained important through the Classical and Roman periods, but its population shifted to the new town of Chandax (modern Heraklion) during the 9th century AD. By the 13th century, it was called Makryteikhos 'Long Wall'; the bishops of Gortyn continued to call themselves Bishops of Knossos until the 19th century. Today, the name is used only for the archaeological site situated in the suburbs of Heraklion.

The ruins at Knossos were discovered in 1878 by Minos Kalokairinos, a Cretan merchant and antiquarian. He conducted the first excavations at Kephala Hill, which brought to light part of the storage magazines in the west wing and a section of the west facade. After Kalokairinos, several people attempted to continue the work, and Heinrich Schliemann had previously showed an interest[citation needed] but it was not until March 16, 1900 that archaeologist Sir Arthur Evans, an English gentleman of independent means, was able to purchase the entire site and conduct massive excavations. The excavation and restoration of Knossos, and the discovery of the culture he labeled Minoan, is inseparable from the individual Evans. Nowadays archaeology is a field of academic teamwork and scientific prestige, but a century ago a project could be driven by one wealthy and self-taught person. Assisted by Dr. Duncan Mackenzie, who had already distinguished himself by his excavations on the island of Melos, and Mr. Fyfe, the British School at Athens architect, Evans employed a large staff of local labourers as excavators and within a few months had uncovered a substantial portion of what he named the Palace of Minos. The term 'palace' may be misleading: in modern English, it usually refers to an elegant building used to house a head of state or similar. Knossos was an intricate collection of over 1000 interlocking rooms, some of which served as artisans' workrooms and food processing centres (e.g. wine presses). It served as a central storage point, and a religious and administrative centre. The throne room that was discovered was repainted by a father-and-son team of artists, both named Émile Gilliéron, at Arthur Evans' command. Evans based the recreations on archaeological evidence, but drew criticism from some quarters, because some of the best-known frescoes from the throne room are believed to be inventions of the Gilliérons.

The site has had a very long history of human habitation, beginning with the founding of the first Neolithic settlement circa 7000 BC. Over time and during several different phases that had their own social dynamic, Knossos grew until, by the 19th to 16th centuries BC (during the 'Old Palace' and the succeeding 'Neo-palatial' periods), the settlement possessed not only a monumental administrative and religious center (i.e., the Palace), but also a city with a population of up to 100,000. The site was destroyed by fire but has been reconstructed.



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