China - Temple of Heaven : an Imperial Sacrificial Altar in Beijing

 

Temple of Heaven (which lists into WCI in 1998).
Locates at Chongwen District, Beijing, the place for Ming and Qing emperor to offer a sacrifice to heaven and pray for harvest.

Sent by Zhang, a postcrosser from Nanjing, China.

This is from UNESCO : The Temple of Heaven is a masterpiece of architecture and landscape design which simply and graphically illustrates a cosmogony of great importance for the evolution of one of the world's great civilizations. Its symbolic layout and design had a profound influence on architecture and planning in the Far East over many centuries. Furthermore, the legitimacy of the feudal dynasties that for more than 2,000 years ruled over China is symbolized by the design and layout of the Temple of Heaven.

The Altar of Heaven and Earth, together with the wall surrounding the garden, was completed in 1420, the 18th year of the reign of the Ming Emperor Yongle. The central building was a large rectangular sacrificial hall, where sacrifices were offered to heaven and earth, with the Fasting Palace to the south-west. Pines were planted in the precinct of the Temple to emphasize the relationship between humankind and nature. In the ninth year of the reign of Emperor Jiajing (1530) the decision was taken to offer separate sacrifices to heaven and to earth, and so the Circular Mound Altar was built to the south of the main hall, for sacrifices to heaven. The Altar of Heaven and Earth was renamed the Temple of Heaven.

In 1749, the fourteenth year of the reign of the Qing Emperor Qianlong, the Circular Mound was enlarged, the original blue-glazed tiles being replaced with white marble. Two years later renovation work took place at the Hall of Daxiang, and it was given the new name of the Hall of Prayers for Abundant Harvests. This was the heyday of the Temple of Heaven, when it covered 273ha. Ceremonial sacrifices to heaven were banned by the government of the Republic of China in 1911. By that date, 490 years after its foundation, the Temple of Heaven had witnessed 654 acts of worship to heaven by 22 emperors of the Ming and Qing dynasties. It was opened as a public park in 1918 and has been so ever since.

The Temple of Heaven was built on a site 3.5 km south-east of the Zhengyang Gate of Beijing. The area that it occupies is almost square, the two southern corners being right-angled and those on the north rounded. This symbolizes the ancient Chinese belief that Heaven is round and the Earth square. It is a spatial representation of Chinese cosmogony on which the political power and legitimacy of the imperial dynasties was based for more than two millennia.

The three principal cult structures are disposed in a line on the central north-south axis. The sacrificial buildings are mainly in the Inner Altar, which is subdivided into two by a wall running east-west, the southern sector, known as the Circular Mound Altar, and the northern, the Altar of the God of Grain. The two altars are connected by an elevated brick path 360 m long, known as the Red Stairway Bridge. The main Temple of Heaven, the Circular Mound, repeats the symbolism of the walls, as the central round feature (Heaven) is inside a square enclosure (Earth). It consists of three circular platforms of white marble, decreasing in diameter, surrounded by balustrades in the same material. Entry to the enclosure is effected by means of a series of monumental gates. There are 360 pillars in the balustrades, representing the 360 days of the ancient Chinese lunar year. The imperial throne would have been set up in the centre of the uppermost platform, symbolizing the role of the Emperor as the Son of Heaven and hence the link between Heaven and Earth. To the north of the Circular Mound is the Imperial Vault of Heaven. It was here that the emperor made offerings before retiring to the Fasting Palace (Palace of Abstinence).

In the north enclosure, the Altar of the God of Grain, the main feature is the Hall of Prayers for Abundant Harvests, which is linked with the Temple of Heaven by the Long Corridor, 440 m long and 25 m wide. In form and materials, the hall repeats the three-tiered circular structure in white marble of the Temple of Heaven. It is surmounted by the hall itself, once again circular in plan, and with three superimposed roofs in blue glazed tiles, from which the emperor offered up prayers for good harvests. It is supported on a massive wooden framework and its interior is richly decorated.

 

China - Yunan Province - Shangri-La County

 

Shangri-La County, Yunan Province.

Sent by A-_-Ding, a postcrosser from China.

This is from Wikipedia : Shangri-La (Xamgyi'nyilha) County is a primarily Tibetan county in northwestern Yunnan province, Southwest China and is the location of the seat of the Dêqên Tibetan Autonomous Prefecture.

he county was formerly called Zhongdian County (Chinese: 中甸县 Zhōngdiàn Xiàn) but was renamed in 2001 after the fictional land of Shangri-La in the 1933 James Hilton novel Lost Horizon, in an effort to promote tourism in the area. The local Tibetan population previously referred to it by the name Gyalthang, which is the Tibetan name forJiantang Town (建塘镇 Jiàntáng Zhèn), the county seat.


Shangri-La has a humid continental climate (Köppen Dwb), with influences from the monsoon and the high elevation. Winters are chilly but sunny, with nighttime lows often dropping below −15 °C (5 °F), while summers are cool, with daytime highs of around19 °C (66 °F), and feature frequent rain; more than 70% of the annual precipitation is delivered from June to September. Except during the summer, nights are usually sharply cooler than the days. Despite the dryness of the winter, the small amount of precipitation is generally sufficient to cause major transportation dislocations and isolate the area between November and March.

 

China - Beijing - Suzhou Street

Suzhou Street, The Summer Palace, Beijing

Sent by Jiani, a postcrosser from Shanghai, China.

"Over 60 stores extend from North Palace Gate entrance into a street about 300 meters (328.1 yards) in length. Along the Back Lake, the street design imitates the ancient style of shops on the banks of rivers in Suzhou City, Jiangsu Province, that is, taking the running water of Back Lake as the street and its banks as a market. The area served as an entertainment place where Emperors and concubines could feel as if they were strolling on a commercial street. When the royals went there, eunuchs and maids of honor would playact as peddlers, customers and shop assistants to mimic market activities.
Built during the reign of Qianlong (1711-1799), it was burned down by Anglo-French allied force in 1860. Until 1986, it was rebuilt and in 1990 it was opened to the public. Today's market includes stores such as dyers, souvenir shops, drugstores, banks, shoe stores, teashops, and hockshops, with clerks dressed in Qing Dynasty (1644-1911) costumes."(Source)

China - Couplet

In Chinese poetry, a couplet is a pair of lines of poetry which adhere to certain rules. Outside of poems, they are usually seen on the sides of doors leading to people's homes. A special, widely-seen type of couplet is the spring couplet, used as a New Year's decoration that expresses happy and hopeful thoughts for the coming year.

Sent by Heather, a postcrosser from Shanghai, China.

This is from Wikipedia : A couplet is a pair of lines of meter in poetry. It usually consists of two lines that rhyme and have the same meter.

While traditionally couplets rhyme, not all do. A poem may use white space to mark out couplets if they do not rhyme. Couplets with a meter of iambic pentameter are called heroic couplets. The Poetic epigram is also in the couplet form. Couplets can also appear in more complex rhyme schemes. For example, Shakespearean sonnets end with a couplet.

Rhyming couplets are one of the simplest rhyme schemes in poetry. Chaucer's The Canterbury Tales are written in rhyming couplets. John Dryden in the 16-17th century and Alexander Pope in the 18th century were both well known for their writing in heroic couplets.

Because the rhyme comes so quickly in rhyming couplets, it tends to call attention to itself. Good rhyming couplets tend to "explode" as both the rhyme and the idea come to a quick close in two lines.

China - Qingdao - The Former Site of the Governor-General Administration (German Administration)

Qingdao - The Former Site of the Governor-General Administration (German Administration)

Sent by Humeixi, a postcrosser from Qingdao City, China.

China - The Spirit of Xue Daqing Jingshen (学大庆精神)

Designer: Ha Qiongwen (哈琼文)
1965, June
Study the spirit of Xue Daqing jingshen (学大庆精神)
Publisher: Shanghai renmin meishu chubanshe (上海人民美术出版社)
Size: 77x50.5 cm.
Call number: BG E13/950 (Landsberger collection)

Sent by zhoubingchen, a postcrosser from China.

The Daqing oilfield, in the cold north-east of China, becomes the national example for industrial development. Workers obtain a high production, inspired by Mao Zedong's thoughts (see the book in the coat pocket). "Iron Man" Wang Jinxi, the drill operator pictured here, becomes a model in his own right.(Source)

China - Mount Qingcheng and the Dujiangyan Irrigation System

Mount Qingcheng and the Dujiangyan Irrigation System.

Sent by Doris, a postcrosser from Guangzhou, China.

This is from UNESCO : The Dujiangyan Irrigation System, begun in the 2nd century BC, is a major landmark in the development of water management and technology, and is still discharging its functions perfectly. It graphically illustrates the immense advances in science and technology achieved in ancient China. The temples of Mount Qingcheng are closely associated with the foundation of Taoism, one of the most influential religions of East Asia over a long period of history.

In 256 BC Li Bing, Shu Kingdom magistrate of the Qin dynasty, selected the mountain outlet of the Minjiang River, with its abundant water flow, as the site for an irrigation system. This involved cutting the Lidui platform, digging canals to avoid the risk of flooding, and opening up a navigation route; at the same time the neighbouring farmland would be irrigated, creating a 'Land of Abundance'.

During the Tang dynasty (618-907) large-scale water conservancy and irrigation projects were carried out. The system was rationalized during the Song dynasty (960-1279) into three main water-courses, three canals and fourteen branches, with coordinated maintenance and water control. During the Yuan dynasty (1206-1368) additional projects were carried out, and this process continued throughout the Ming dynasty (1368-1644). Incessant warfare at the end of the Ming dynasty and the early years of the Qing dynasty (1644-1913) resulted in the system falling into disrepair, but this was eventually set to rights.

In AD 142 the philosopher Zhang Ling founded the doctrine of Taoism on Mount Qingcheng, and in the following year he took up permanent residence in what became known as the Celestial Cave of the Tianshi (the name given to the spiritual head of the Taoist religion). During the Jin dynasty (265-420) a number of Taoist temples were built on the mountain, and it became the centre from which the teachings of Taoism were disseminated widely throughout China.

The irrigation system consists of two principal components, the Weir Works and the irrigated area. The Weir Works form the heart of the system. It receives water from the upper valley of the Minjiang River. There are three main elements. The Yuzui Bypass Dyke is located at the outfall of the Minjiang River. Water from the upper valley is diverted into the Outer and Inner Canals: the former follows the course of the Minjiang River and the latter flows to the Chengdu plain through the Baopingkou Diversion Passage. It serves the essential function of bypassing the considerable amount of silt brought down by the river. It makes full use of the bend, directing surface water with low concentrations of silt into the Inner Canal and the heavily silted deeper water into the Outer Canal.

The Feiyashan Floodgate is situated between the lower end of the Yuzui Bypass Dyke and the V-Shaped Dyke. Its upper end is 710 m from the Bypass Dyke and 120 m from the Baopingkou Diversion Passage. The principal function of the Floodgate is to transfer overflow, together with silt and pebbles, from the Inner to the Outer Canal. When water flow in the Inner Canal is low, the Floodgate ceases its draining function and transfers water into the Weir Works to ensure the supply of irrigation water to the Chengdu Plains. The Baopingkou Diversion Passage lies between the Lidui Platform south of Dujiangyan City and the cliff facing it, an enormous engineering project that dates back to the beginning of the Irrigation System in the 3rd century BC. It is able to control and maintain the water flow to the Chengdu irrigated plains automatically, even in periods of drought or flooding.

Mount Qingcheng dominates the Chengdu plains. There are eleven temples on Mount Qingcheng of special significance in the field of Taoist architecture because, unlike Mount Wudang temples, they do not reproduce the features of imperial courts but the traditional architecture of western Sichuan. The Erwang Temple west of Dujiangyan City was considerably enlarged during the Song dynasty (960-1279) and substantially reconstructed in the 17th century. It is constructed of wood and is located on a commanding point of the mountain, overlooking the river. The carvings inside the temple record the history and achievements of water control.

China - Jiuzhaigou Valley Scenic and Historic Interest Area

Ley Waterfall, part of Jiuzhaigou landscape.

Sent by Winnie, a postcrosser from Shanghai, China.

This is from UNESCO : The valley lies in the southern part of the Min Shan Range, approximately 330 km from the provincial capital of Chengdu and includes the catchment areas of the Shizheng, Rize and Zechawa gullies, which join Jiuzhaigou Valley.

Lying on the edge of the diverging belt between the Qinghai-Tibet Plate and the Yangtze Plate, there are major fault lines running through the site: earthquakes are not uncommon and have been a major influence on the geological landscape. Of greater geological interest, are the high-altitude karst landforms that have been strongly influenced by glacial, hydrological and tectonic activity.

The best known features are the large number of lakes in the area: many are classic ribbon lakes, at the base of glacially formed valleys, which have been dammed naturally, for example behind rock falls from avalanches. Processes of carbonate deposition are responsible for the cementation and stabilization of these dams. A number of the lakes are bounded on the upstream and downstream sides by calcareous tufa dykes and shoals. In two places, there are a stepped series of lakes, like terraces separated by these tufa dykes. These sites, Shuzheng Lakes and Nuorilang Lakes, with 19 and 18 lakes respectively, can be compared with the travertine pools of Huanglong Scenic Area to the south. They are less well-developed geologically but are much larger in size.

Also of note are a number of large and spectacular waterfalls, including Xionguashai (Panda Lake) Fall and the Zhengzhutan (Pearl Shoal) Fall. This latter fall lies at the downstream end of the Zhengshutan, which is the larger of two calcareous tufa shoals in the site.

The hydrology of the site is dominated by three valleys, Rize and Zechawa gullies flowing from the south and meeting at the centre of the site where they form the Shuzheng Gully.

Over most of the site the soils express their limestone parent rock, to a greater or lesser degree, while there is some variance in colour and texture. They are all neutral to slightly alkali. On the higher mountain slopes, the soils are poorly developed.

The rich flora and wide altitudinal range undoubtedly contribute to a highly diverse and important range of fauna. There are no records of detailed surveys or inventories, but 10 mammal's species are listed including notable species such as giant panda, golden snub-nosed monkey, lesser panda, Szechwan takin, mainland serow, common goral and Thorold's deer.

There have been 141 species of bird recorded from the site. Some 13 of these are listed including Chinese monal, snowy-cheeked laughing thrush and a subspecies of Tengmalm's owl, which is endemic to the region.

China - Nanyang - Wuhou Memorial Temple

Wuhou Memorial Temple at Nanyang, China.

Sent by Aaron, a postcrosser from Yunnan, China.

China - Temple and Cemetery of Confucius and the Kong Family Mansion in Qufu

The Tomb of Confucius.

Sent by Zheng, a postcrosser from China.

The Qufu complex of monuments has retained its outstanding artistic and historic character owing to the devotion of successive Chinese emperors over more than 2,000 years. The system of belief that Confucius (551-479 BC) created was adopted as the pre-eminent ideology in feudal Chinese society for more than 2,000 years. Two years after the death of Confucius, Duke Gun of Lu consecrated his former house in Qufu as a temple, within which were preserved his clothing, musical instruments, carriage and books. The temple was rebuilt in AD 153, and it was repaired and renovated several times in subsequent centuries. In AD 611 the temple was again rebuilt, and this time the original three-room house effectively disappeared as a component of the complex. In 1012 during the Song dynasty it was expanded into three sections with four courtyards, containing over 300 rooms. It was devastated by fire and vandalism in 1214, but rebuilding was commenced, so that by 1302 it had attained its former scale. An enclosure wall was built in 1331, on the model of an imperial palace. Following another disastrous fire in 1499 it was rebuilt once again, to its present scale.

The gateway to the temple is flanked by cypresses and pines on either side. The main part is arranged on a central axis and has nine courtyards. The first three, with their small gates and tall pines, lead the visitor into the heart of the religious complex. From the fourth courtyard onwards, the buildings are stately structures with yellow-tiled roofs and red-painted walls, set off by dark green pines, epitomizing the profundity and harmony of Confucianism. Over 1,000 stelae recording imperial donations and sacrifices from the Han dynasty onwards are preserved within the temple, along with outstanding examples of calligraphy and other forms of documentation, all priceless examples of Chinese art. There are many fine carved stones, among the most important being the Han stone reliefs (206 BC-AD 220) and the stone pillars and carved pictures depicting the life of Confucius of the Ming dynasty.

When Confucius died in 479 BC he was buried on the bank of the Si River, beneath a tomb in the form of an axe, with a brick platform for sacrifices. When Emperor Wu Di of the Western Han dynasty (206 BC-AD 24) accepted proposals to 'eliminate the hundred schools of thought and respect only Confucianism', the tomb became an important place of veneration and pilgrimage. By the 2nd century AD more than 50 tombs of Confucius's descendants had accumulated around the main tomb, and stelae commemorating him began to be erected in 1244. In 1331 Kong Sihui began building the wall and gate of the Cemetery, and this work continued with the addition of gate towers, arches, pavilions, and the access road from the north gate of the city of Qufu (1594). The exterior gate of the Cemetery is connected with the north gate of Qufu by a straight road lined with cypresses and pines. There is a narrow walled enclosure leading to the second gate, which gives access to an open area containing grass, trees and a river; to the west, after crossing the Zhu River Bridge, the visitor comes upon the tomb of Confucius.

The descendants of Confucius lived and worked in the Kong Family Mansion, guarding and tending the temple and cemetery, and were given titles of nobility by successive emperors. The hereditary title of Duke Yan Sheng granted by Emperor Ren Zhong of the Song dynasty (960-1279) was borne by successive direct male descendants until 1935, when the title was changed to State Master of Sacrifice and First Teacher. The mansion follows the traditional Chinese layout, with the official rooms at the front and residential quarters at the rear. At its apogee in the 16th century, the mansion was made up of 170 buildings with 560 rooms, but only 152 buildings with 480 rooms survive. Many important cultural relics are preserved within the Mansion, including scrolls and paintings. The interior decor is that of the later Qing dynasty and the Republic of China (1912-49). (Source)

China - Guangzhou Gymnasium

Guangzhou Gymnasium

Sent by Evelyn, a postcrosser from China.

This is from Wikipedia : The Guangzhou Gymnasium is an indoor arena in Guangzhou, China. The arena used mainly for basketball. The facility has a capacity of 10,000 people and was opened in 2001. It was designed by Paul Andreu.

China - Imperial Tombs of the Ming and Qing Dynasties

Ming Tombs is the burial site of 13 emperors of the Ming Dynasty, as well as the largest cluster of imperial cemeteries in China. In 2003, it was inscribed on the World Heritage List.

Sent by Xiaojing, a postcrosser from Shanghai, China.

The Ming and Qing imperial tombs are outstanding testimony to a cultural and architectural tradition that for over 500 years dominated this part of the world. By reason of their integration into the natural environment, they make up a unique ensemble of cultural landscapes.

From time immemorial, the rulers of China attached great importance to the building of imposing mausolea, reflecting not only the general belief in an afterlife but also an affirmation of authority. When the Ming dynasty came to power (1368), an overall design was adopted. This was characterized by the attempt to achieve great harmony between a natural site meeting certain precise selection criteria and a complex of buildings fulfilling codified functions. The natural site, a plain or broad valley, must offer the perspective of a mountain range to the north, against which the tombs would be built, with a lower elevation to the south. It must be framed on the east and west by chains of hills, and feature at least one waterway. In order to harmonize with the natural setting, a number of buildings are constructed along a main access road several kilometres in length, known as the Way of the Spirits, which may branch off into secondary Ways leading to other mausolea.

An entrance portico with up to five doors marks the beginning of the Way of the Spirits, which subsequently passes through or alongside a number of buildings, in particular a reception pavilion, a pavilion housing the stele of Divine Merits, stone columns and sculptures representing animals, generals and ministers, in pairs. After one or more stone bridges and a Portico of the Dragon and the Phoenix, the sacred way arrives at a complex of buildings that includes a hall of meditation flanked by side pavilions and a Memorial Tower leading to the walled tumulus under which lie the burial chambers. This cultural landscape is imbued with a form of cosmogony that invests it with sacred status.

The Xianling tombs of the Ming dynasty are situated near the town of Zhongxiang, in Hubei Province, over 1,000 km from Beijing. The first work on the mausoleum was carried out by Xing, who planned to be buried there. On genealogical grounds, he was declared Emperor posthumously in 1519. Further work was then undertaken to bring the tomb into harmony with the standards of the Ming dynasty and to create a second tumulus to house the burial chambers of his family, including the empress.

The western Qing tomb contains fourteen imperial tombs and two building complexes: the Yongfu Tibetan Buddhist temple and the temporary palace where the imperial family resided when it came to honour its ancestors. The natural setting is extremely beautiful, in large part owing to the forest of elegant centuries-old pines.

The site of eastern Qing tombs contains 15 mausolea in which 161 bodies were buried - emperors, empresses, concubines and princesses. Among them are the emperors Kangxi and Qianlong, remembered as great sovereigns who actively promoted the development of China, and the Dowager Empress Cixi, who ruled the empire through intermediaries throughout the second half of the 19th century. (Source)

China - Yungang Grottoes (2)

The Yungang Grottoes, in Datong city, Shanxi Province, with their 252 caves and 51,000 statues, represent the outstanding achievement of Buddhist cave art in China in the 5th and 6th centuries. The Five Caves created by Tan Yao, with their strict unity of layout and design, constitute a classical masterpiece of the first peak of Chinese Buddhist art.

Sent by Andy, a postcrosser from Nanjing in China.

China - Kawagebo

The main Tip Kawagebo of the snow-covered Mountain Meli to 6,740 meters s.n.m., is the high summit in the Sanjiang zone.

Sent by Na, a postcrosser from Beijing, China.

This is from Wikipedia : Kawagebo (卡瓦格博, Chinese transliteration of the name of Khawakarpo) (Tibetan: kha ba dkar po) (or Moirigkawagarbo, Khawa Karpo, Kha-Kar-Po), as it is known by local residents and pilgrims, is the highest mountain in Yunnan, China. It is located in Weixi Lisu Autonomous County in Diqing Prefecture on the border with Tibet, and near the border with Myanmar. It rises about 20 kilometres (12 mi) west of Diqing, which lies on the China National Highway 214. It was previously in the independent Tibetan province of Kham until Chinese occupation and annexation in 1959.

Kawakarpo is the high point of the Meili Xue Shan (梅里雪山 or Meili Snow Mountain), a small subrange of the Hengduan Shan, the major north-south trending complex of mountains covering the region where Tibet, Yunnan, Sichuan, and Myanmar converge. The Meili Xueshan forms part of the divide between the upper Salween (Nujiang) and Mekong (Lancangjiang) rivers.

The Meili Xueshan has over 20 peaks with permanent snow cover, including six peaks over 6,000 m (19,700 ft). The highest portion of the range is in the north, although Kawakarpo is centrally located. The range rises high over the deeply incised valleys to the east and west, leading to dramatic relief. The range is highly affected by the monsoon, leading to especially unstable snow conditions, which have affected climbing attempts.

Kawakarpo is one of the most sacred mountains for Tibetan Buddhism as the spiritual home of a warrior god which pre-existed Buddhism's arrival in Tibet. It is visited by 20,000 pilgrims each year;[4] many pilgrims circumambulate the peak, an arduous 240 km (150 mi) trek.

Tibetans believe the warrior god will leave them if human sets foot on the peak of Kawakarpo, making the ground unholy. Disasters will follow as they lose god's protection.

China - Yungang Grottoes

The Three-Heads & Six-Arms Mahevara statue in the Cave No. 8, Yugang Grottoes, a UNESCO World Heritage Site.

Sent by Zhoujy, a postcrosser from Fujian, China.

The Buddhist tradition of religious cave art achieved its first major impact at Yungang, where it developed its own distinct character and artistic power. The Yungang cave art represents the successful fusion of Buddhist religious symbolic art from south and central Asia with Chinese cultural traditions, starting in the 5th century AD under imperial auspices. At the same time it vividly illustrates the power and endurance of Buddhist belief in China.

Datong, known as Pingcheng in ancient times, became the capital of the Northern Wei dynasty between 398 and 494, and thus the political, economic and cultural centre of their kingdom. It kept its importance until 523, when it was deserted following a revolt. The statues of the Yungang Grottoes were completed in sixty years (460-525); this period marks the peak of development in Buddhist cave art of the Northern Wei dynasty. When the first emperor assumed the throne, Buddhism flourished and in 460 the monk Tan Yao started the carving of the Five Caves; since then, these grottoes have become the centre of Buddhist art in North China.

By 525 the initial project, sponsored by the court, was mostly completed, but low ranking officials and monks continued to dig more caves and carve statues. During the Liao dynasty, wooden shelter structures were built in front of the caves, turning the grottoes into temple buildings, such as the Ten Famous Temples. In 1122 these temples were destroyed in a war.

The Yungang Grottoes, known as Wuzhoushan Grottoes in ancient times, are located on the southern foot of the Wuzhou Mountains, in the Shi Li River valley, 16 km west of Datong City. They consist of 252 caves of various sizes housing more than 51,000 statues; the site extends much as 1 km east-west. Three main periods can be identified in the construction: the Early Period (460-65), the Middle Period (c . 471-94) and the Late Period (494-525). Apart from the grottoes, the nominated core area includes the remains of a castle, a defence wall, and a beacon tower of the Ming dynasty on the plain above the grottoes. The grottoes of the early period (460-65) are composed of five main caves; these magnificent and simple caves were dug under the direction of the monk Tan Yao and are named after him. For the layout of the grottoes, large caves were dug to house the giant statues, 13-15m tall. They have a U-shaped plan and arched roofs, imitating the thatched sheds in ancient India. Each cave has a door and a window. The central images have tall bodies and occupy the major part of the caves, while on the outer walls 1,000 Buddhist statues are carved, a feature rarely seen in the tradition of Chinese history of grotto carving.

They form the essence of the Yungang Grottoes, consisting of large caves, including four groups of twin caves and one group of triple caves. In this period there was a rapid development of the Han style and many new subject matters and combinations of statues were introduced, shifting the attention to the creation of law-enforcing images and various kinds of adornment. These caves are square in plan, usually with chambers both in front and in the rear; carvings on the walls are divided into upper and lower bands and right and left sections. Level caisson ceilings are carved on the roofs in most cases. On both sides of the outer walls there are high double-floored attics, and monuments stand high in the centre of the courtyard. The shelters in the style of wooden structures are supported by octagonal pillars, each carved with 1,000 Buddhas. The walls inside the caves are covered by long rolls of paintings divided into different layers and columns. All these reflect the layouts and traditional arrangements of halls in vogue in China during the Han dynasty.

The grottoes of the late period (494-525) are located in the west of the grotto area, in the Dragon King Temple Valley. In total, over 200 caves and niches were cut in this period. These caves are of medium and small size with varied and complicated irregular shapes. Decorations were also carved on the cliff around the door of the caves. There is a tendency towards simplification of the contents of the statuary and stylizing the forms, but with a new look of delicacy and gracefulness. (Source)

China - Huanglong Scenic and Historic Interest Area

Huanglong Scenic and Historic Interest Area.

Sent by Peng, a postcrosser from Changsa, China.

The property lies in the southern part of the Min Shan Range, approximately 150 km north/north-west of the provincial capital of Chengdu. It is divided into two distinct sites: the Huanglong subdivision and the Mouni Gully subdivision.

Tectonic activity, in the form of earthquakes, is fairly frequent. The relief is predominantly precipitous, a particularly spectacular example being where the Fujiang River flows through the Danyun Gorge. Above the timberline are extensive areas of precipitous mountain scenery, snow-covered for much of the year. Xuebaoding, or Snow Mountain Peak, is permanently snow-covered and bears the easternmost glacier in China. Of greatest geologically interest is the extensive calcite deposition that has taken place, notably along the 3.6 km Huanglonggou (Yellow Dragon Gully) where there are several extensive areas of travertine pools. Algae and bacteria proliferate in a number of these pools, giving a wide range of colours from orange and yellow to green and blue. Other karst features include long limestone shoals, notably Liujinshan (Glazed Golden Fan) and Jinshatan (Golden Sand Beach), in Huanglonggou. These are extensive slopes of active limestone deposition, covered entirely by a thin layer of flowing water.

The Huanglong subdivision contains the main tributaries leading into the upper waters of the Fujiang River, which has its source at the Snow Mountain Ridge. Water flow varies throughout the year, with peak flows during the flood season from May to July. A number of low-temperature hot springs rise from deep groundwater.

The Mouni Gully subdivision consists of two parallel small gullies, Zhaga and Erdaohai. There are two important areas of hot springs in this site: FeicuiKuang-quan and the springs in Zhuzhuhu. The waters of both springs have high mineral contents and are said to have important medicinal properties. Mouni Gully also contains a number of very attractive lakes and the Zhaga Waterfall.

Huanglong is situated at the transition zone between the eastern damp forest zone and the mountainous coniferous woods/meadow grassland and shrub zone of Qing-Zang Plateau. It lies close to the intersection of four floral regions: Eastern Asia, Himalaya, and the subtropical and tropical zones of the Northern Hemisphere.

From 1,700 m to 2,300 m, there is a belt of mixed forest dominated by Chinese hemlock, Chinese or dragon spruce and three species of maple. Between 2,300 m and 3,600 m, the forest is largely coniferous and subalpine in character, dominated by spruces; firs; larch and birches. Between 3,600 m and 4,200 m, the forest gives way to alpine meadows dominated by shrubs and grasses. From 4,200 m to 4,800 m vegetation is sparser, but includes shrubs. Above 4,800m, there is permanent snow and ice.

A large number of faunal species listed are threatened mammals include such notable species as giant panda, golden snub-nosed monkey, brown bear Asiatic black bear, leopard, Pallas' cat, Asiatic wild dog, lesser panda, Szechwan takin, mainland serow, common goral, argali and three species of deer. (Source)

China - The Juyong Pass

The Juyong Pass is flanked by towering mountains on both sides and interrupted by a 20-kilometer-long valley in the middle which is called the "Guangou Valley" with the city of the Juyong Pass down at the center. There are two separate passes on the south and the north. The southern one is called Nankou while the northern one is Badaling.

Sent by Alinna, a postcrosser from China.

This is from Wikipedia : Juyongguan or Juyong Pass (simplified Chinese: 居庸关; traditional Chinese: 居庸關; pinyin: Jūyōng Guān) is located in an 18 kilometer (11 mile)-long valley named "Guangou" which is inside Changping County more than 50 kilometers (31 miles) from Beijing City. It is one of the three greatest passes of the Great Wall of China. The other two passes are Jiayuguan and Shanhaiguan.

It had many different names in the past dynasties. However, the name "Juyongguan" was used by more than three dynasties. It was first used in the Qin Dynasty when Emperor Qinshihuang ordered the building of the Great Wall. Juyongguan Pass has two passes, one at the south and one at the north. The south one is called "Nan Pass" and the north one is called "Badaling".

This pass was connected to the Great Wall in the Southern and Northern Dynasties.

In the middle of Juyongguan, there is a "Cloud Platform" with another name of "Crossing Street Tower". It was made of white marble in the Yuan Dynasty with a height of 9.5 meters. Around the top of the platform there are many structures such as stone railings and a watching post. They are still kept in the style of the Yuan Dynasty. In the middle of the base of the platform there is an arched door where men, horses and carriages could pass through. Many animal images were carved in the arched hole and the arched door. On the walls of both sides of the door, the statues of gods and scriptures are carved. There were three white towers on the platform in the past (this is how it got the name of "Crossing Street Tower") and were destroyed in the transitional period between the Yuan Dynasty and the Ming Dynasty. Later a Tai'an Temple was built on the platform but was later destroyed in the Qing Dynasty.

China - Jigong Hill at Xinyang

Jigong Hill at Xinyang.

Sent by Christy, a postcrosser from China.

China - Rocky Cave Temple at Gongyi

Rocky Cave Temple at Gongyi.

Sent by Timmy, a postcrosser from China.

China - Mallow-shaped Dish

Mallow-shaped Dish.
Ge ware, Song Dynasty.
Height 4.1 cm, Diameter (mouth) 20.2 cm, (foot) 7.5 cm
The Palace Museum.

Sent by Christina, a postcrosser from China.