Spain - Royal Monastery of Santa María de Guadalupe

GUADALUPE
Facade of The Royal Monastery of Santa María de Guadalupe.

Sent by Marzar from Mérida, Spain.

The Monastery of Guadalupe, an ensemble of religious architecture spanning four centuries, symbolizes two significant events in world history that both occurred in the same year, 1492: the final expulsion of the Muslim power from the Iberian Peninsula and the discovery of America by Columbus. Its famous image of the Virgin also became the pre-eminent symbol of the Christianization of the New World.

The Monastery, the principal of the Order of St Jerome, played a very influential role in the history of Spain, being associated by the crown with important events, notably by the Catholic Kings (Los Reyes Católicos ) with the conquest of Granada and the discovery of America in 1492. The Monastery was, and remains a centre of pilgrimage. It was a cultural centre of the highest order: its hospitals and its medical school were renowned, as was its scriptorium and its library, containing a very rich collection of documents. Many famous artists were attracted to Guadalupe, including Juan de Sevilla, Francisco de Zurbarán, Vicente Carducho, and Luca Giordano. The harmony between the buildings and the works of art that it contains confers an outstanding value upon the ensemble. The site is one of great beauty, overlooking a valley surrounded by high mountains, notably the Villuercas, and containing abundant vegetation.

At at the end of the13th century a Cáceres shepherd discovered close to the River Guadalupe a statue of the Virgin Mary that had been buried by Christians from Seville around 714 when fleeing before the Moorish invaders. The shepherd built a chapel to house the statue. A few years later it became a church, enlarged in 1337 by command of Alfonso XI, who visited it on several occasions. This king invoked the protection of Our Lady of Guadalupe for the battle of Salado in 1340 and, following his victory, declared the church a royal sanctuary, founding a secular priory there. For 447 years under the Hieronimite Order the monastery was the most important in Spain and one of the most famous in Christendom. In 1835 the order passed responsibility to the Archdiocese of Toledo, which handed it over to the Franciscan order in 1908.

The ensemble of the monastery of Guadalupe comprises the following main buildings:

• the main Gothic Church or Templo Major has a notable facade with its doors ornamented and finely wrought bronze plaques. The interior has three naves with fine ornamented vaulting, tombs and altars;
• the Sacristy, built between 1638 and 1647, and exuberantly decorated, is best known for the series of paintings by Zurbarán on its walls;
• the Chapel of Santa Catalina, constructed in the 15th century, links the Sacristy with the Reliquaries Chapel. It has an octagonal cupola lit by a lantern and contains outstanding 17th century tombs;
• the Reliquaries Chapel is an octagonal-plan edifice built at the end of the16th century. The lower part houses many elaborate reliquaries and other works of art in its arcaded alcoves;
• the Camarín de la Virgen is a small octagonal building of 1687-96, situated behind the presbytery of the basilica, in highly decorated Baroque style. In the upper storey, the 'Chamber of the Virgen' proper, the vaults a decorated in plaster and stucco and the walls covered with paintings, among them nine by Luca Giordano. It houses the famous statue of the Virgin of Guadalupe, on a magnificently ornamented throne;
• the Mudejar cloister, built between 1389 and 1405, is situated to the north of the main church and is constructed in brick, in the Mudejar tradition, and painted in white and red. The small chapel in the centre dates from 1405, and there is an impressive portal of 1520-24 in Plateresque style;
• the Gothic cloister dates from 1531-33 and has galleries on three sides; there are three tiers of arches. As it belongs to the hospice of the monastery it does not contain any important works of art;
• the New Church: one of the descendants of Columbus, with a special affection for the monastery, promoted the construction of this building in 1730-35, in modified Baroque style with three naves. (Source)

Spain - Archaeological Ensemble of Mérida

Mérida
Roman Amphitheater, Puente Lusitania, Milagros Aqueduct and ruins of the Citadel

Sent by Marzar from Mérida, Spain.

Mérida is symbolic of the process of Romanization in a land that had hitherto not been influenced by the urban phenomenon. It contains the substantial remains of a number of important elements of Roman town design, considered to be one of the finest surviving examples of its type; the aqueducts and other elements of Roman water management are also especially well preserved and complete.

Emerita was founded by Augustus in 25 BC at the end of his Spanish campaign. Its first inhabitants were time-expired veterans of the legions that made up his army. Three years later it became the capital of the new Roman province of Lusitania, and played an important role as the base for the conquest of the north-west of the Iberian Peninsula. Its site was a classic one, where a major road crossed an important river (the Quadiana), and it became a very important administrative, commercial, and communications centre. Emerita benefited from the rule of the Spanish Emperors Trajan, Hadrian, and Diocletian who endowed it with splendid public buildings. Christianity was established there in the 3rd century, and it was quickly to become the seat of an archbishop. With the pacification of the peninsula by the Visigoths from 457 onwards it flourished as the capital of one of the six provinces, and enjoyed a special role as cultural centre. In 711, the remains of the Visigothic army took refuge in Mérida. The town was always a centre of opposition to Moorish rule, so in 834 Abderrahman II ordered to be built a fortress (Alcazaba) to guard the Guadiana bridge (25 BC). Mérida was recaptured by a Christian army in 1230. A brief revival under Los Reyes Catolicos in the late 15th century saw the town drained of resources, both human and material, during the Portuguese and Catalan rebellions against Philip II.

The main monuments in the World Heritage site are the Guadiana bridge (two sections of arches linked by a large pier with massive cutwaters, built from granite and concrete); the amphitheatre, for 15,000 spectators, part of the original layout of the town, which occupies two insulae and was inaugurated in 8 BC; the classic Vitruvian theatre, set into a low hill and inaugurated under M. Agrippa; the peripteral and hexastyle Temple of Diana ,probably from the early years of the 1st century AD and converted into a private residence in the 16th century; the alleged 'Arch of Trajan,' which may have been an entrance gate to the original town or, more likely, to the enceinte of the Temple of Diana; and the Circus, one of the largest in the Roman world, probably contemporaneous with the foundation of the colonia..

Other sites include two columbarii (family tombs); the water supply system to Emerita, including three dams, well-preserved stretches of underground water channels and substantial remains of aqueducts (the Proserpina and Cornalvo dams, both still functioning, are the most remarkable surviving examples of Roman water management systems; the Basilica de Casa Herrera, a palaeo-Christian basilica with a double-apsidal nave and side aisles of a well known North African type; the Martyr Church of Santa Eulalia (substantial traces of the original church dedicated to Santa Eulalia, martyred under Diocletian; and the Alcazaba, which exhibits some characteristic Byzantine features.

The massive walls, with their 25 bastions, enclose an almost square area. There are no permanent and contemporary buildings in the interior, but there are abundant traces of the Roman houses and streets that were removed to allow its construction. (Source)